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Hi Gordon,
Nice to make your acquaintance.
Of course one goes to 'the man' for the real understanding, but what I'm saying is this........
I imagine my quote rubs some folks the wrong way or gets misunderstood big time. With 42 non-stop years performing this show as well as over 35 of those years being an 'educator' on Hendrix, doing lecturing-demonstrations in colleges, TV & radio, I've found that the deeper meaning of this guy's music gets quite overlooked. I've also found that the mysticism of Hendrix is even more overlooked, with the exception of David Henderson as well as Monica touching upon it somewhat in their books.
What I mean by his music/mysticism is......... Jimi hung around Miles Davis, Sly, Hugh Masekela, to name a few & also met twice with Rashaan Kirk & (this is NEVER mentioned by biographers) Sun Ra. Each of these folks are the epitome of musical mysticism. When you seriously study Jimi's music like you would Trane, Bird, Ornette, Duke or even the two I mentioned Rashaan & Sun Ra, you'll find there is 'something' in between the notes that is evasive to the inattentive ear. Also this 'something' is in the sound which encourages sustained attention by the listener.
This 'something' is indefinable, especially in the bios & docs on Jimi, & really one of the reasons it cannot be put into words is because of its transformative nature which effects each listener differently. It has to be demonstrated just as if one were trying to understand yoga or martial arts. It goes beyond writing about it. It has to be demonstrated.
My point is most are aware Jimi was getting quite deep with the study of music. The correspondence course he was taking at Berklee thanks to Quincy Jones & Miles, the Sky Church experimental jams at his various upstate houses, the touch-style/free-hand playing style he was working on before his death all bear witness to this fact.
Some of us, who seriously study this man's music, feel the need for this information to be promulgated to those who truly want to understand a man who viewed music as a tool for spiritual transformation, especially just before he died.
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